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In the 1970s, very famous and unique television New Year's Eve evenings were created, full of entertaining scenes and famous artists. Vladimír Menšík was always the unforgettable host of the evening. Take a look back at the New Year's Eve evenings from 1977, 1978 and 1979, which are guaranteed to put you in the right New Year's Eve mood.

Living in New Zealand in 1981 amid high racial tension, Willie, a half-Samoan teenager, is coming into his own. With an unpredictable father, Willie spends most of his time working at a department store or taking care of his little brother, Solomon. A chance encounter at work with an eccentric and charming “shopper” named Bennie lures Willie into a world without rules. As Willie begins to find a place in Bennie’s reckless nest of criminals, Solomon grows increasingly vulnerable to their father’s violent tendencies.

Librado, an unemployed man, lives in a crowded small house with numerous children and relatives, is beaten for stealing a car antenna. His godmother and her children try to settle in his place. She then is arrested at a supermarket for stealing, however, she offers herself and volunteers a friend of hers for sex to the policemen so she can be released. She is a maid of an employee who acts subservient to his boss, a mid-level government employee at once servile who delivers speeches on sexuality in educational texts and then discusses the matter with his brother, a corrupt inspector.

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

5 women go on 4 hour shopping trips each to style in the best fit for the motto given by the designer Guido Maria Kretschmer in the beginning of the week.

A marriage proposal prompts Carolina to recall three previous relationships as she wanders through Manhattan.

A clothing designer tries to save her struggling boutique store by having a tumultuous weekend sale of her shop's inventory by playing on the addictions of shopping for the women of Beverly Hills.

Rusty, portrayed by a very busy canine thespian named Flame, does exactly what the film's title says he does. But before this prophecy can be fulfilled, the story spends a great deal of time with young Danny Mitchell (Ted Donaldson), who briefly turns to juvenile delinquency when he's denied an expected inheritance